The ancestry of the piano can be traced to the early keyboard instruments of the fifteenth and sixteenth centuries -- the spinet, the dulcimer, and the virginal. In the seventeenth century the organ, the clavichord, and the harpsichord became the chief instruments of the keyboard group, a supremacy they maintained until the piano supplanted them at the end of the eighteenth century.

The clavichord's tone was metallic and never powerful; nevertheless, because of the variety of tone possible to it, many composers found the clavichord a sympathetic instrument for intimate chamber music.

The harpsichord with its bright, vigorous tone was the favorite instrument for supporting the bass of the small orchestra of the period and for concert use, but the character of the tone could not be varied save by mechanical or structural devices.

The piano was perfected in the early eighteenth century by a harpsichord maker in Italy(though musicologists point out several previous instances of the instrument).This instrument was called a piano e forte (soft and loud), to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head.
18世紀早期的意大利,鋼琴在一位撥琴鋼琴制造者手中得到完善(盡管音樂理論家們指出有更早的例子)。 這種樂器被稱為piano e forte(意大利語,柔和而響亮的),以顯示它有力的多樣性。 演奏者用一個頭部帶皮氈的彈擊樂錘敲擊琴弦。

The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produced an instrument capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance.